Friday, 18 December 2020

Readings, hymns and
sermon ideas for
Christmas Day,
25 December 2020

The Nativity depicted in the reredos in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford)

Patrick Comerford

Friday next, 25 December 2020, is Christmas Day, and the Revised Common Lectionary offers three sets of readings for the principal service:

1, Isaiah 9: 2-7; Psalm 96; Titus 2: 11-14; Luke 2: 1-20.

There is a direct link to these readings HERE.

2, Isaiah 62: 6-12; Psalm 97; Titus 3: 4-7; Luke 2: (1-7), 8-20.

There is a direct link to these readings HERE.

3, Isaiah 52: 7-10; Psalm 98; Hebrews: 1: 1-4 (5-12); John 1: 1-14 (15-18).

There is a direct link to this set of readings HERE.

Why are there three sets of readings, and how do I avoid confusion as I plan services and sermons for Thursday night and Friday morning?

When the lectionary was first being compiled, it was assumed by the compilers that many people – not just priests – would take part in several celebrations of the Eucharist between midnight on Christmas Eve and lunchtime on Christmas Day, and so would want a rounded set of Gospel readings over that 12-hour period.

At one time, the Christmas Eucharist was celebrated at Midnight, at Dawn and later in the Morning. Now, the reality is that, apart from priests and readers, most people in our parishes are only going to go to Church once in the 24-hour period of Christmas Eve and Christmas Day.

The reason is simple: it leaves the time free for festivities or to visit families and friends on Christmas Day … and that is going to be truer than ever this year after long family separarations because of Covid-19 restrictions for most of 2021.

Even if we have a celebration in all churches in a parish or group of parishes, priests and readers are probably the only ones going to attend more than one Christmas celebration. So, there is no problem about which set of readings we use, as long as we use one set consistently at any one, given servie, and do not ‘Pick and Mix.’

Most people are going to expect to hear ‘the Christmas story’ at the celebration they attend. Luke 2: 1-20 comes closest to the account of that story in the Gospels, and most priests believe this is the most appropriate Gospel to read. This is probably the Gospel you want to use as you prepare your Christmas sermon.

In some parishes, however, there may also be a tradition of using the shorter form of the prologue in Saint John’s Gospel (John 1: 1-5, 9-14) found in the Lectionary.

So, this posting looks at those two Gospel readings, with ideas for reflections and sermons.

In addition, the Liturgical Resources for Christmas Day, including the Collect, Kyries, Peace, Preface, Post-Communion Prayer and Blessing, as well as prayers at lighting the last candle on the Advent Wreath and Hymn suggestions, are brought together here.

The images are all available for use on parish service sheets, PowerPoints and notices, but please name Patrick Comerford as the photographer.

The First Christmas in a panel on the Oberammergau altarpiece in the Lady Chapel, Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)

Introduction:

Christmas still fills me with a sense of wonder and awe.

That sense of awe and wonder never seems to go away, no matter how old we get, no matter – in some cases – how horrid other aspects of our childhood had been.

Do you remember the sense of anticipation and wonder you had as a child at Christmas?

Nothing today ever seems to match the beauty and the glamour and the glitz of childhood Christmas lights, childhood Santas, childhood presents and love and warmth and care and affection … each tree a real tree, decorated with candles, lights and bundles of presents at its feet.

And we seem as adults to constantly compare our present, adult Christmases, with our past, childhood Christmases.

Why, in our dreams, it seems that just as every childhood summer had long, sunny days, with wonderful times by the beach, every childhood Christmas was a white Christmas … deep and crisp and even.

But, of course, our adult experiences are often very different. We lose the awe and the wonder and the joy of Christmas as it becomes a chore … wrapping the presents, getting the cards posted in time, cooking the meals, answering the doorbell to a constant stream of visitors, often family members we never see otherwise from one end of the year to another, and so often tipsy while we have to stay sober.

And then there were the sad Christmases: when a child was sick, a job was lost, a loved one died.

But Christmas is always the promise of fresh beginnings, of a new start, of hope returning once again.

Remember how you were filled with awe and wonder on Christmas morning as a child, year after year. The expectations never faded, even when you knew that there had been times when things went wrong, even when things that went wrong could have robbed you of hope.

And Christmas is our image of God always being full of promise. God comes to us in the Christ Child with the promise of fresh beginnings, of a new start, of hope returning once again. God’s expectations for us, for the world, never fade, even when he knows that things have gone wrong, even when things that went wrong have robbed those he loves of hope.

The Holy Family by Giovanni Battista Pittoni, the Altar Piece in the Chapel of Sidney Sussex College, Cambridge (Photograph: Patrick Comerford)

Luke 2: 1-20:

It is interesting that each Gospel begins to tell its story in its own unique, different way.

Saint John begins at the beginning, at the very beginning: ‘In the beginning was the word and the Word was with God, and the Word was God’ (John 1: 1).

Saint Matthew begins with the genealogy of Jesus, generation after generation, with long lists of sometimes unpronounceable names (Matthew 1: 1-17), before he summarises the story of the first Christmas in seven crisp verses … and even then he seems to concentrate more on how Saint Joseph’s fears and suspicions were allayed than on the Christmas story (see Matthew 1: 18-25).

Saint Mark has no Nativity narrative, has no story of the first Christmas. Instead, he begins his Gospel at the Baptism of Christ by Saint John the Baptist in the River Jordan, an event that comes a little later on in the other three Gospels.

Although in Year B the Revised Common] Lectionary is taking us through Saint Mark’s Gospel, because Saint Mark has no Nativity story, the main Gospel reading on Christmas Day is either the Nativity Narrative in Saint Luke’s Gospel (Luke 2: 1-14 or 1-20) or the Prologue to Saint John’s Gospel (John 1: 1-14 or John 1: 1-18).

Saint Luke begins with a personal explanation to Theophilus of why he is beginning to write the Gospel (Luke 1: 1-4), before moving on to the story of Zechariah and Elizabeth (Luke 1: 5 ff). It takes him a full chapter before he gets to tell the story of the first Christmas (Luke 2: 1-20).

There is a telling, short sentence at the end of this Gospel reading: ‘Mary treasured all these words and pondered them in her heart.’

At the heart of this Gospel narrative is the understanding that things aren’t always going to work out the way we would like them to. But at the heart of the Gospel story of Christmas is the truth that God is always with us, and that God’s expectations for us, God’s awe and wonder at being in our presence, should be as much a source of mystery as our awe and wonder at being in the presence of God.

When we wrap our presents and gifts in festive colours, and decorate our homes and workplaces with lights and tinsel, it is easy to think we have bundled our fears and despair away – at least for the next week or two. Our popular celebrations of Christmas become comfortable and comforting as we sing carols and try to convince ourselves that ‘all is calm, all is bright.’

Yet all is not calm in our world, in Europe, in our land or in our economy, nor is all bright for those who are homeless this Christmas, who live in dark fear of poverty or who dread what the future may hold.

All those well-wrapped, warm and homely celebrations are in danger of forgetting that the first Christmas was one filled with fear and dread. Immediately after the birth of the Christ Child in Bethlehem, the scene in Saint Luke’s account moves to a hillside where shepherds are working at night, in the dark and in the cold, easy prey to wolves, thieves and the cold weather, less valuable than the animals they tend. And the Gospel writers tell us that those poor shepherds are terrified when they see the angelic host.

The initial task of the angels is to calm those fears. Their first words to those frightened shepherds are not ones of call or command, but words to calm them: ‘Fear Not.’

This Christmas time, when the world is a cold, frightening and uninviting place for many, the first task of the Church must be to bring hope where there is fear, love where there is no peace, to give rather than receive. The angels’ call to the shepherds to ‘fear not’ is not a platitude or an invitation to piety, but one that is linked with the promise of Good News, the promise that God’s plans for humanity and for creation are brighter than the darkness of their night: ‘Do not be afraid; for see – I am bringing you good news of great joy for all the people’ (Luke 2: 10).

But where is there good news for the homeless, the unemployed, the elderly, the parents of vulnerable children?

Where is the hope of great joy for people around the world denied democracy and human rights, for those who live in poverty and under oppression?

In a thought-provoking column some years ago in New Statesman, Canon Lucy Winkett, the Rector of Saint James’s Church, Piccadilly, wrote:

‘This festive season, I find myself musing on the often-repeated thought that “it’s for the children”, and hoping that the estimated 70,000 London primary pupils who go to school hungry children each day, and the estimated 300,000 unaccompanied child refugees in camps across the world, get some of our attention. Especially at the Feast of the Incarnation, when Christians celebrate God becoming real to us in the vulnerability of a baby, but with the light and power and warmth of the sun.’

On a visit to Saint James’s Church, Piccadilly, I noticed a slogan: ‘Christ did not come so that we could have church and that more often. He came so we could have life and that more abundantly.’ For many people this Christmas, their principal fear is about life, the apprehension that they do not have the abundances to face the future without fear.

In his poem Christmas, John Betjeman dismisses the commercialisation of Christmas and challenges us to return to the truth of the Christmas message:

And is it true,
This most tremendous tale of all...
The Maker of the stars and sea
Become a Child on earth for me?


When, in John Betjeman’s words, the ‘Christmas-morning bells say ‘Come!’,’ we are called not only to hear the story of Christ’s birth, the story of a child born to a couple for whom ‘there was no place’ in Bethlehem, but called too to ensure the words ‘Happy Christmas’ are not hollow and meaningless.

The Christmas scene in a window in Saint Anne’s Church, Dawson Street, Dublin (Photograph: Patrick Comerford)

Luke 2: 1-20 (NRSVA):

1 In those days a decree went out from Emperor Augustus that all the world should be registered. 2 This was the first registration and was taken while Quirinius was governor of Syria. 3 All went to their own towns to be registered. 4 Joseph also went from the town of Nazareth in Galilee to Judea, to the city of David called Bethlehem, because he was descended from the house and family of David. 5 He went to be registered with Mary, to whom he was engaged and who was expecting a child. 6 While they were there, the time came for her to deliver her child. 7 And she gave birth to her firstborn son and wrapped him in bands of cloth, and laid him in a manger, because there was no place for them in the inn.

8 In that region there were shepherds living in the fields, keeping watch over their flock by night. 9 Then an angel of the Lord stood before them, and the glory of the Lord shone around them, and they were terrified. 10 But the angel said to them, ‘Do not be afraid; for see—I am bringing you good news of great joy for all the people: 11 to you is born this day in the city of David a Saviour, who is the Messiah, the Lord. 12 This will be a sign for you: you will find a child wrapped in bands of cloth and lying in a manger.’ 13 And suddenly there was with the angel a multitude of the heavenly host, praising God and saying,

14 ‘Glory to God in the highest heaven,
and on earth peace among those whom he favours!’

15 When the angels had left them and gone into heaven, the shepherds said to one another, ‘Let us go now to Bethlehem and see this thing that has taken place, which the Lord has made known to us.’ 16 So they went with haste and found Mary and Joseph, and the child lying in the manger. 17 When they saw this, they made known what had been told them about this child; 18 and all who heard it were amazed at what the shepherds told them. 19 But Mary treasured all these words and pondered them in her heart. 20 The shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them.

Pages from Saint John’s Gospel, the first complete hand-written and illuminated Bible since the Renaissance, in the recent Holy Writ exhibition in Lichfield Cathedral (Photograph: Patrick Comerford)

John 1: 1-14

‘Ἐν ἀρχῇ ἦν ὁ λόγος,’ ‘In the beginning was the Word’ … this is one of the most dramatic opening lines in any great work of literature. The Fourth Gospel, the Gospel According to Saint John, is one of the great works of literature, as well as my favourite book in the Bible.

‘To begin at the beginning’ – these are the opening lines of Under Milk Wood by Dylan Thomas (1954). Or I might begin with words from Alice in Wonderland by Lewis Carrol. In Chapter 12, the White Rabbit puts on his spectacles.

‘Where shall I begin, please your Majesty?’ he asks.

‘Begin at the beginning,’ the King said gravely, ‘and go on till you come to the end: then stop.’

TS Eliot’s ‘East Coker,’ the second of his Four Quartets, is set at this time of the year and opens:

In my beginning is my end.

And he goes on to say:

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon …


The opening words at the beginning of a play, a novel or a poem – or for that matter, a sermon – can be important for holding the reader’s or the listener’s attention and telling me what to expect. Begin as you mean to go on.

That is why I am surprised that Charles Dickens waits until the second sentence in David Copperfield to say: ‘To begin my life with the beginning of my life …’

Saint John begins the Fourth Gospel at the beginning, at the very beginning: ‘In the beginning was the word and the Word was with God, and the Word was God’ (John 1: 1).

The narrative translations with which we are so familiar often miss the poetic and dramatic presentations of this Gospel. But the Prologue is first and foremost poetry. It is a hymn – a poetic summary – of the whole theology of this Gospel, as well as an introduction to it.

The Johannine scholar Raymond Brown (1928-1988) has presented a translation from the Greek of the Prologue in poetic format:

1 In the beginning was the Word;
the Word was in God’s presence,
and the Word was God.
2 He was present with God in the beginning.
3 Through him all things came into being,
and apart from him not a thing came to be.
4 That which came to be found life in him,
and this life was the light of the human race.
5 The light shines on in the darkness,
for the darkness did not overcome it.

(6 Now there was a man sent by God, named John 7 who came as a witness to testify to the light, so that through him all might believe – 8 but only to testify to the light, for he himself was not the light.)

9 He was the real light
that gives light to everyone;
he was coming into the world.
10 He was in the world,
and the world was made by him;
yet the world did not recognise him.
11 To his own he came;
yet his own people did not accept him.
12 But all those who did accept him,
he empowered to become God’s children –
those who believe in his name,
13 those who were begotten,
not by blood,
nor the flesh,
nor human desire,
but by God.
14 And the Word became flesh
and made his dwelling among us.
And we have seen his glory,
the glory as of an only Son coming from the Father,
rich in kindness and fidelity.

Winter sunset on the beach at Ballybunion, Co Kerry (Photograph: Patrick Comerford, 2020)

Reading the Prologue:

The first chapter of Saint John’s Gospel can be divided into two parts: the Prologue (verses 1-18); and a second part (verses 19-50) that shows that Saint John the Baptist was preparing for the coming of the Messiah.

The Prologue is an introduction to the Gospel as a whole. It tells us that the Logos is God and acts as the mouthpiece (Word) of God ‘made flesh,’ sent to the world in order to be able to intercede for humanity and to forgive human sins.

The Prologue is of central significance to the doctrine of the Incarnation. The Prologue can be compared with Genesis 1, where the same phrase, ‘In the beginning …,’ first occurs along with the emphasis on the difference between the darkness and the light.

Saint John is the only Gospel writer to speak of Christ’s pre-existence as the Logos and this is the only Gospel to include a poetic prologue.

The Prologue provides a profound and highly developed theological summary that has a structural integrity of its own, while also introducing many of the key themes of the Gospel account that follows.

What about Saint John’s use of the term λόγος or Logos (1-2) – most frequently rendered ‘Word’ in modern English translations?

This term is deeply rooted in Old Testament thought (see Genesis 1, Proverbs 8). The role of the Johannine Logos also parallels, in some ways, that of personified Wisdom in a number of traditions in Judaism (see Sirach 24). However, Wisdom and the Logos need not be identified with each other, since Wisdom is a creation of God (Sirach 1: 9), while the Logos is pre-existent and Divine. At the same time, Saint John’s use of such language in a first century Mediterranean setting also recalls associations with Hellenistic thinking of the time, when the term ‘Logos’ played a key role in Stoic thought and in the writings of Hellenistic Jewish thinkers such as Philo.

Professor CH Dodd (1884-1973) argues that Saint John’s adoption of the term deliberately reflects the ambiguity of the word in Judaism, using a Greek philosophical term to capture both the immanent and transcendent dimensions of meaning, yet within a Christian framework. Others argue that while Hellenistic connotations are inevitable for 1st century readers, these associations are secondary as the use of terms in the Fourth Gospel is so often contrary to a Hellenistic worldview, while being distinct from previous Jewish uses.

It is worth noting the relationship of the Prologue with the rest of the Gospel. A number of Johannine terms are introduced, including ‘life,’ ‘light’ (verse 5), ‘believe’ (verse 7), ‘world’ (verse 9), ‘children of God’ (verse 12), and ‘flesh’ and ‘truth’ (verse 14). These concepts are introduced in the context of the Logos, who is decidedly at the centre of all that is being said.

The Prologue also introduces the figure of Saint John the Baptist (verse 6), although this interrupts the flow of the poetic and liturgical sections of the Prologue.

The Prologue lays the foundation for the development of the ‘realised eschatology’ of the Fourth Gospel. When Saint John speaks later of life in the sense of ‘eternal’ life, the Prologue has already established that from the beginning in Christ the eternal God and source of life is present and is among men and women for that purpose.

In Christ, God enters into all the ambiguities, difficulties, and trials of human life. He comes to live among his people as one of them, revealing God at first hand, and offering new life as the source of life from the beginning.

The writer relates the Logos in turn to God (verses 1, 2); creation (verses 3-5); the world and its response (verses 6-9); his own people (verses 10, 11); his children (verses 12-13); a specific circle of disciples and witnesses (verse 14); and later in the Prologue to a particular historical person, Jesus Christ (verse 17). Finally, in verse 18, the intimacy of the relationship of the Logos to the Father is re-emphasised in language similar to that used in John 13: 23-25 to describe the intimacy between ‘the beloved disciple’ and Christ himself.

The Prologue is a model and a summons to us to think carefully and deeply about the implications of the Incarnation and to apply this concept in all its comprehensiveness to our life and our world. For all its broad, cosmic scope, the Prologue presents a direct and personal question to readers of all times: will the one who reads believe, and share in the fullness of grace given by the One who has come from the Father to dwell among us?

‘And the Word became flesh and lived among us’ (John 1: 14) … a stained glass window in a church in Portarlington, Co Laois (Photograph: Patrick Comerford, 2019)

John 1: 1-14 (NRSVA):

1 In the beginning was the Word, and the Word was with God, and the Word was God. 2 He was in the beginning with God. 3 All things came into being through him, and without him not one thing came into being. What has come into being 4 in him was life, and the life was the light of all people. 5 The light shines in the darkness, and the darkness did not overcome it.

6 There was a man sent from God, whose name was John. 7 He came as a witness to testify to the light, so that all might believe through him. 8 He himself was not the light, but he came to testify to the light. 9 The true light, which enlightens everyone, was coming into the world.

10 He was in the world, and the world came into being through him; yet the world did not know him. 11 He came to what was his own, and his own people did not accept him. 12 But to all who received him, who believed in his name, he gave power to become children of God, 13 who were born, not of blood or of the will of the flesh or of the will of man, but of God.

14 And the Word became flesh and lived among us, and we have seen his glory, the glory as of a father’s only son, full of grace and truth.

‘In my beginning is my end … In my end is my beginning’ … tangled bicycles in the snow in Temple Bar in Dublin (Photograph: Patrick Comerford)

Some concluding thoughts:

Giles Fraser’s weekly column in the Guardian came to an end three years ago (2017) as that newspaper moves to a new format. But, some years ago [6 December 2014], he tried to summarise Christmas values in that column: ‘ “I have come that they may have life and have it to the full” is how Jesus expresses his mission in Saint John’s Gospel. “The glory of God is a human being fully alive,” wrote Irenaeus in the second century. In other words, the point of Christianity is to generate a deeper form of humanism.’

‘In my beginning is my end … In my end is my beginning.’

Christ is coming, and in his birth, life, agony, death and resurrection he is reconciling the whole world, each of us with one another and with God. He is coming with a vision of a world in which all of the barriers that separate us – poor and rich, North and South, male and female, Jew and Gentile, nation and nation, home-happy and homeless – will be no more.

His coming is just the beginning of the Good News and the beginning of hope. Let us prepare the way of the Lord: he casts down the mighty and raises up the lowly, he lets justice and righteousness go before him, peace is the pathway for his feet, we must do justice and make peace. And let this be just the beginning.

The first Christmas depicted on Antoni Gaudí’s Nativity Façade of the Basilica of Sagrada Familia in Barcelona (Photograph: Patrick Comerford)

Liturgical Resources:

Liturgical Colour: White, or Gold.

Collect (night):

Almighty God,
you have given us your only-begotten Son
to take our nature upon him
and as at this time to be born of a pure virgin:
Grant that we, who have been born again
and made your children by adoption and grace,
may daily be renewed by your Holy Spirit;
through Jesus Christ our Lord.

Collect (day):

Almighty God
you have given us your only-begotten Son
to take our nature upon him
and as at this time to be born of a pure virgin:
Grant that we, who have been born again
and made your children by adoption and grace,
may daily be renewed by your Holy Spirit;
through Jesus Christ our Lord.

Post Communion Prayer (night):

God our Father,
whose Word has come among us
in the Holy Child of Bethlehem:
May the light of faith illumine our hearts
and shine in our words and deeds;
through him who is Christ the Lord.

Post Communion Prayer (day):

God our Father,
whose Word has come among us
in the Holy Child of Bethlehem:
May the light of faith illumine our hearts
and shine in our words and deeds;
through him who is Christ the Lord.

These additional liturgical resources are provided for Christmas in the Book of Common Prayer (2004):

Penitential Kyries:

Lord God, mighty God,
you are the creator of the world.
Lord, have mercy.
Lord, have mercy.

Lord Jesus, Son of God and Son of Mary,
you are the Prince of Peace.
Christ, have mercy.
Christ, have mercy.

Holy Spirit,
by your power the Word was made flesh
and came to dwell among us.
Lord, have mercy.
Lord, have mercy.

Introduction to the Peace:

Unto us a child is born, unto us a son is given,
and his name shall be called the Prince of Peace. (Isaiah 9: 6)

Preface:

You have given Jesus Christ your only Son
to be born of the Virgin Mary,
and through him you have given us power
to become the children of God:

Blessing:

Christ, who by his incarnation gathered into one
all things earthly and heavenly,
fill you with his joy and peace:

Lighting the white candle on the Advent Wreath on Christmas Day in Saint Mary’s Church, Askeaton (Photograph: Barbara Comerford)

The Advent Wreath:

On the Advent Wreath on Christmas Day, the last of the candles, the central white candle, is lit, symbolising the Christ Child arriving as the Light of the World. The other candles in a circle surrounding it were lit during the Sundays of Advent and represent the Patriarchs and Matriarchs (Purple), the Prophets (Purple), Saint John the Baptist (Pink) and the Virgin Mary (Purple).

The prayers at the Advent Wreath help us to continue our themes from the Sunday before Advent [22 November 2020], which we marked in these dioceses as Mission Sunday.

As we light the last, white candle on the Advent Wreath, the Anglican mission agency, the United Society Partners in the Gospel (USPG) suggests this prayer when lighting the candle:

Christmas Day (White Candle), Jesus Christ

Holy God, your only son was born with
no home and laid in a manger;
fill us with compassion for all in need today.
Bless your church as it works for dignity,
healing and peace across the world.
And give us generous hearts
to respond to your most generous gift,
of Jesus Christ our Lord.

The Christmas scene in a window in Christ Church Cathedral, Dublin (Photograph: Patrick Comerford)

Suggested Hymns:

Proper 1:

Isaiah 9: 2-7:

146, A great and mighty wonder
159, Born in the night, Mary’s child
151, Child in the manger
52, Christ, whose glory fills the skies
124, Hark the glad sound! the Saviour comes
192, How brightly beams the morning star!
133, Long ago, prophets knew
174, O little town of Bethlehem
505, Peace be to this congregation
369, Songs of praise the angels sang
323, The God of Abraham praise
199, The people that in darkness walked
184, Unto us is born a Son

Psalm 96:

166, Joy to the world, the Lord is come
705, New songs of celebration render
196, O worship the Lord in the beauty of holiness
710, Sing to God new songs of worship
8, The Lord is King! Lift up your voice
373, To God be the glory! Great things he has done!
377, You shall go out with joy

Titus 2: 11-14:

160, Hark! the herald–angels sing

Luke 2: 1-14 (15-20):

146, A great and mighty wonder
147, Angels from the realms of glory
148, As Joseph was a–walking
149, Away in a manger
159, Born in the night, Mary’s child
151, Child in the manger
156, Don oíche úd i mBeithil (About that night in Bethl’em)
693, Glory in the highest to the God of heaven
157, Glory to God! all heaven with joy is ringing (omit verse 3)
692, Glory to God in highest heav’n
158,God rest you merry, gentlemen
162, In the bleak mid–winter
163, Infant holy, infant lowly
585, Jesus, good above all other (verses 1, 2, 5)
170, Love came down at Christmas
171, O Bethl’hem is a small place
172, O come, all ye faithful (Adeste, fideles) (omit verse 4)
176, On Christmas night all Christians sing
177, Once in royal David’s city
182, Silent night, holy night
198, The first Nowell the angel did say (verses 1, 2, 6)
187, When the crimson sun had set
188, While shepherds watched their flocks by night

Proper 2:

Isaiah 62: 6-12:

134, Make way, make way for Christ the King
142, Wake, O wake, with tidings thrilling

Psalm 97:

34, O worship the King all–glorious above
281, Rejoice, the Lord is King!
8, The Lord is King! Lift up your voice

Titus 3: 4-7:

305, O Breath of life, come sweeping through us

Luke 2: (1-7) 8-20:

146, A great and mighty wonder
147, Angels from the realms of glory
148, As Joseph was a–walking
149, Away in a manger, no crib for a bed
159, Born in the night, Mary’s child
151, Child in the manger
156, Don oíche úd i mBeithil (About that night in Bethl’em)
693, Glory in the highest to the God of heaven!
157, Glory to God! all heaven with joy is ringing (omit verse 3)
692, Glory to God in highest heaven
158, God rest you merry, gentlemen
162, In the bleak mid–winter
163, Infant holy, infant lowly
585, Jesus, good above all other (verses 1, 2, 5)
170, Love came down at Christmas
171, O Bethl’hem is a small place
172, O come, all ye faithful (Adeste, fideles) (omit verse 4)
176, On Christmas night all Christians sing
177, Once in royal David’s city
182, Silent night, holy night
198, The first Nowell the angel did say (verses 1, 2, 6)
187, When the crimson sun had set
188, While shepherds watched their flocks by night

Proper 3:

Isaiah 52: 7-10:

479, Go, tell it on the mountain
125, Hail to the Lord’s anointed
129, How lovely on the mountains are the feet of him
166, Joy to the world, the Lord has come
597, Take my life and let it be
387, Thanks to God whose Word was spoken
142, Wake, O wake! With tidings thrilling

Psalm 98:

146, A great and mighty wonder
147, Angels from the realms of glory
259, Christ triumphant, ever reigning
125, Hail to the Lord’s anointed
160, Hark! the herald–angels sing
468, How shall I sing that majesty
166, Joy to the world, the Lord is come
170, Love came down at Christmas
705, New songs of celebration render
175,, Of the Father’s heart begotten
710, Sing to God new songs of worship
369, Songs of praise the angels sang
114, Thou didst leave thy throne and thy kingly crown

Hebrews 1: 1-4 (5-12):

84, Alleluia! raise the anthem
381, God has spoken – by his prophets
3, God is love! let heaven adore him
696, God, we praise you! God, we bless you!
94, In the name of Jesus
164, It came upon the midnight clear
276, Majesty! worship his majesty!
228, Meekness and majesty (omit verse 2)
7, My God, how wonderful thou art
33, O Lord of every shining constellation
175, Of the Father’s heart begotten
387, Thanks to God whose Word was spoken

John 1: 1-14 (15-18):

146, A great and mighty wonder
84, Alleluia! raise the anthem
87, Christ is the world’s light, he and none other
259, Christ triumphant, ever reigning
410, Dearest Jesus, at your word
160, Hark! the herald–angels sing
427, Let all mortal flesh keep silence
195,Lord, the light of your love is shining
172, O come, all ye faithful (Adeste, fideles)
175, Of the Father’s heart begotten
136, On Jordan’s bank the Baptist’s cry
491, We have a gospel to proclaim

The Nativity scene on this year’s Christmas stamps issued by An Post (Photograph: Patrick Comerford, 2020)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.

The hymn suggestions are provided in Sing to the Word (2000), edited by Bishop Edward Darling. The hymn numbers refer to the Church of Ireland’s Church Hymnal (5th edition, Oxford: OUP, 2000).

The Nativity depicted in a mosaic in Saint Saviour’s Church, Waterford (Photograph: Patrick Comerford, 2019)

Monday, 14 December 2020

Readings, hymns and
sermon ideas for
Sunday 20 December 2020,
Fourth Sunday of Advent

The Annunciation depicted on the Nativity Façade of the Basilica of La Sagrada Familia in Barcelona (Photograph: Patrick Comerford)

Patrick Comerford

Next Sunday, 20 December 2020, is the Fourth Sunday of Advent.

The readings in the Revised Common Lectionary for the Fourth Sunday of Advent in Year B are:

The Readings: II Samuel 7: 1-11, 16; the Canticle Magnificat or Psalm 89: 1-4, 19-26; Romans 16: 25-27; and Luke 1: 26-38.

There is a link to these readings HERE.

The words of the canticle Magnificat carved on the wooden screen at the west end of the monastic church in Mount Melleray Abbey, Cappoquin, Co Waterford (Photograph: Patrick Comerford, 2020)

Introducing the Readings:

There is a popular idiom that says, ‘A promise made is a promise kept.’

Sunday’s readings are not only laden with God’s promises, but they also tell us that all God’s promises in history and scripture are kept or fulfilled in the Incarnation.

These promises were made, over time, to the Patriarchs, at the Exodus, to David, and to prophets. There are reminders of these promises, in these readings, and these promises reach their climax in the promises the Angel Gabriel brings to the Virgin Mary in Nazareth.

We may ask, What if Mary said no?

Instead, Mary says Yes, and the consequences of this Yes are set out in the Canticle Magnificat.

Advent is about to come to an end, is about to reach its climax, on Christmas Day.

‘Your house will always stand secure before me’ (II Samuel 7: 16) … a plaque on the Church of the Assumption in Moyvane (Newtownsandes), Co Kerry (Photograph: Patrick Comerford, 2018)

II Samuel 7: 1-11, 16:

This first reading recalls a conversation between God and King David. Despite King David’s plans to build a fine Temple in Jerusalem as a dwelling place for God, God insists that he will dwell with his people always, no matter where they are.

The word house is consistently bayith (בַּיִת) in Hebrew. Here it has three different meanings: palace (verses 1, 2); temple (verse 5-7), and royal house or dynasty (verse 11).

After many wars, King David now consults his court prophet, Nathan, and says that since he now has a fine house palace, it is time to build a fine house or temple for the Ark, representing the presence of God since the Exodus.

Nathan agrees, but later that night God speaks to Nathan, who is to tell David that he is not the one to build a temple for God. Nathan is to assure David that God has raised him from shepherd boy to king and has always been with him wherever he went. God will make David great and give his people peace and security. God will make David the founder of a dynasty, a royal house that will be God’s for ever.

‘The Visitation’ by Dinah Roe Kendall … the Visitation is the setting for the Virgin Mary’s song Magnificat

The Canticle Magnificat:

The canticle Magnificat is the first of four cantcles in Luke 1-2. There are good reasons for providing the Canticle Magificat as the first option on Sunday morning. Note that the psalm is only the second option, and should only be used if Magnificat was used in this place the previous Sunday.

This is a wonderful opportunity to use this canticle in the morning. It is normally reserved for Evensong or Evening Prayer, which means fewer and fewer parishioners have an opportunity to hear this canticle. There are two hymn versions of this canticle that are easy to sing in parish settings:

704, Mary sang a song, a song of love;

712, Tell out, my soul, the greatness of the Lord.

This poem is known as Magnificat, from the first word of the Latin translation. The song is modelled on Hannah’s prayer (see I Samuel 2: 1-10), but there are other, similar songs with political implications by women: see Miriam in Exodus 15: 19-20; Deborah in Judges 5: 1-31; and Judith in Judith 16: 1-17.

The Virgin Mary is visiting her cousin Elizabeth and her husband Zechariah. As God’s messenger, the Angel Gabriel has told Mary that she will bear Jesus, Son of God, successor to David and founder of an eternal kingdom.

Now the Virgin Mary thanks God. From the depth of my heart, she declares the Lord’s greatness and she rejoices in God her Saviour. She praises God and says how much she depends on God’s mercy. She speaks of the great reversals God has achieved in the past and will achieve in the future. She recalls that God has fulfilled, and continues to fulfil, his promises in the past to the patriarchs and prophets.

In choosing her, God goes against conventional wisdom and chooses the poor and lowly over the proud and the powerful.

‘I have found David my servant; with my holy oil have I anointed him’ (Psalm 89: 20) … King David (left) and King Solomon (right) in a window by Heaton, Butler and Bayne in Saint Michael’s Church, Limerick (Photograph: Patrick Comerford)

Psalm 89: 1-4, 19-26:

Psalm 89 is appropriate for this Sunday too. Verse 10 is quoted in the Canticle Magnificat (Luke 1: 51), and verse 20 is quoted by Saint Paul when he speaks in the synagogue in Antioch (see Acts 13: 22).

The superscription claims this psalm was written by Ethan the Ezrahite, who, along with Heman the Ezrahite, the author of Psalm 88, was a wise man from the time of, or prior to, King Solomon.

This is a hymn of praise, thanking God for his faithfulness in fulfilling the promise given to King David.

The psalmist recalls God’s promises to David. He recalls that God’s promises, based on love, are firm and everlasting and that God is ever faithful. This promise extends to King David’s descendants.

The psalm also recalls Nathan’s vision. David became a mighty warrior under King Saul. God chose him and set him apart as his representative on earth. God will always support and protect him, giving him victory over his enemies and evil forces. His rule will extend from the Mediterranean Sea in the west to the Tigris and Euphrates in Mesopotamia in the east.

God has chosen David as his son. This psalm ends with a king’s prayer that he and the nation be delivered from their enemies, perhaps the Babylonians who besieged Jerusalem in 597 BC.
‘To the only wise God, through Jesus Christ, to whom be the glory for ever’ (Romans 16: 27) … Christ in glory in Byzantine mosaics on the apse of the Leonian Triclinium, one of the main halls of the ancient Lateran palace in Rome (Photograph: Patrick Comerford)

Romans 16: 25-27:

This epistle reading, which concludes Saint Paul’s Letter to the Romans, is a doxology that praises God for his revelation through the ages.

The mystery that was long kept secret is be revealed to all people through the fulfilment of the Scriptures, and is now fully revealed in the incarnation of Jesus Christ.

This is the heart of the Gospel, and the reason we are celebrating Advent and Christmas.

The Annunciation by Adam Pomeroy in Saint Peter and Saint Paul Cathedral, Ennis, Co Clare (Photograph: Patrick Comerford)

Luke 1: 26-38:

This Gospel reading is the same reading we had almost nine months ago (25 March 2020) on the Feast of the Annunciation, which is one of the 12 Great Feasts of the Church. We have the same Gospel reading again, almost nine months later, because the action initiating Christ’s Incarnation is so significant as we prepare to celebrate that Incarnation.

However, there is a cultural antipathy in many parts of the Church of Ireland – though not throughout the Anglican Communion – that makes it difficult to deal with Gospel stories about the Virgin Mary.

The Wednesday before last [8 December 2020] was an ordinary day in the Church of Ireland calendar and lectionary. But those of us who have a residual memory of provincial shoppers travelling to Dublin on that date to start their Christmas shopping in earnest would recall the significance this date holds our neighbours.

Nor do we mark 15 August, although we mark the date on which other saints are said to have died, including Charles Inglis on the following day, 16 August.

Most of our parishes are unlikely to even notice that 8 September is marked in the calendar and lectionary of the Church of Ireland.

Many of us, too, find it difficult to take on board the plaster statues and their portrayal of the Virgin Mary, in demure robes of white and blue, which run contrary to the strong Mary celebrated in the canticle Magnificat, which is offered as a first choice in the readings instead of the Psalm for next Sunday; the strong Mary who stands by the Cross when most of the disciples have run away; and the strong Mary of the Pieta.

Earlier in this chapter (verses 8-17), Saint Luke tells how Zechariah sees an angel in the sanctuary of the Temple. The angel tells him that his wife Elizabeth will bear a son, who will be named John. He will be filled with the Holy Spirit and ‘turn many of the people of Israel to the Lord their God ... to make ready a people prepared for the Lord.’

Elizabeth is in the sixth month of her pregnancy (verse 26) when God sends the angel Gabriel to Nazareth, a town known for its jealous, materialistic people.

Mary’s Hebrew name Miryam (מִרְיָם) means ‘exalted one’ or ‘favoured one.’ Yet, it is through Joseph, not Mary, that Jesus is going to become a descendant of King David.

Mary is especially favoured with God’s love, and as such has long been part of God’s plan (see verses 28, 30). Perplexed, she reflects on the angel’s greeting, wondering in what way she is favoured.

The Angel Gabriel now tells her that she will give birth to a son, Son of God, a king. Verse 31a recalls Isaiah 7: 14, where Isaiah tells King Ahaz that ‘the young woman is with child and shall bear a son, and shall name him Immanuel’ (meaning God with us).

Psalm 89: 26-27 also speaks of the link between the dynasty of David and sonship of God. The reference to ‘the Most High’ in verses 32 and 35 is to God. The prophet Micah often speaks of the house of Israel as the ‘house of Jacob’ (see Micah 4: 7).

While Mary does not doubt Gabriel’s message from God, she wonders how this can be, as she has no husband, although she is engaged to Joseph.

The Angel Gabriel answers Mary by telling her that she will conceive through the power of the Holy Spirit, not through sexual union, and the child she is to conceive is a gift from God. The child will be filled with the Holy Spirit, dedicated to the service of God, and will be called Son of God.

Verse 37 is similar to Genesis 18: 14, where God asks, ‘Is anything too wonderful for the Lord?’ There, as with Elizabeth in her old age, Sarah too gives birth to a son after a normal pregnancy.

But the birth of Jesus is even more exceptional than the birth of either Isaac or John the Baptist. To be a ‘servant of the Lord’ (verse 38) is special: David, in the first reading, is called a servant (II Samuel 7: 8).

Saint Luke is doing more than telling the story of the Annunciation: he is placing the Incarnation within the context of the prophecies and promises in Scripture.

Dante Gabriel Rossetti’s painting, Ecce Ancilla Domini! (1850), now in the Tate Gallery, London

A Pre-Raphaelite painting:

We are all used to these images of the Virgin Mary that lack challenge and message, images that have been inherited through Mediaeval and Renaissance art. But one of the most challenging presentation in art of the Annunciation is Dante Gabriel Rossetti’s painting, Ecce Ancilla Domini! (1850), now in the Tate Gallery in London.

The poet, painter, and designer Dante Gabriel Rossetti (1828-1882) was a co-founder of the Pre-Raphaelites, a group of Victorian artists who wanted to emulate the richness and purity of the mediaeval period. The son of an exiled Italian patriot and scholar, he was a brother of the poet Christina Rossetti (1830-1893), author of one of the greatest Christmas carols, In the bleak mid-winter, one that might be worth singing today

This painting is one of the earliest Pre-Raphaelite paintings, and when it was first exhibited in 1850 it shocked and stirred controversy.

In this painting, Rossetti offers a radical reinterpretation of the Annunciation, rejecting the traditional representation of the Virgin Mary passively receiving the news. Instead, he seeks to give the picture a supernatural realism.

While the angel is announcing to the Virgin Mary that she is to give birth to the Christ Child, she appears to be recoiling, as if disturbed from sleep.

Although Rossetti relies on earlier traditions for many of the symbols he uses in this scene, his use of these symbols, his depiction of space, and most significantly his portrayal of the two figures represent significant departures from earlier traditions.

This painting is unusual in that the artist shows the Virgin Mary in a state of fear – see how she cowers against the wall and casts her eyes down. This is a far cry from many depictions of the Annunciation where the Virgin Mary is shown in a state of humble acquiescence or acceptance.

White is the dominant colour in the painting, relieved only by small areas of blue, red and yellow. This use of white emphasises the quality of the Virgin Mary’s purity, and is reinforced by the lily embroidery – the same one that she is shown making in Rossetti’s painting of The Girlhood of Mary Virgin, also on display in the Tate.

Early great paintings of this scene usually depict lilies, the symbol of the Virgin Mary’s purity, in a vase nearby the scene as the angel addresses the Virgin. Although Rossetti also uses lilies, he integrates them into both the action and the environment of the scene.

Notice how the Angel Gabriel holds out a stem with lilies, offering them to the Virgin Mary and seemingly presenting her with an embodiment of the chastity and purity she is fated to continue throughout her life. At the end of the bed hangs an embroidery on which the Virgin Mary is also working on in his painting, The Girlhood of Mary Virgin. This plays a contextual role – this is a young girl’s bedroom, so we might expect to find her needlework in this space – as well as, perhaps, representing her active choice to live purely since she has chosen to embroider a lily.

The Virgin Mary is not dressed in her traditional blue; instead she wears a simple white dress. Yet, Rossetti does not ignore the importance of blue as the colour associated with the Virgin Mary and heaven: he places a blue screen directly behind her, and looking through the window, the sky is a similar shade of blue, alluding to heaven.

Most Annunciation scenes have candles that have just blown out with the entrance of the Holy Spirit. Instead, Rossetti gives us a hint of a flame – a different presentation of a usual symbol. He includes a dove, embodying the Holy Spirit, although in this case he has not drastically transformed a traditional symbol.

Rossetti’s imagined space shows great innovation. Compared to traditional interiors, that were rich with elaborate floor tiles, stained glass, wooden furniture, rugs, pillows, and similar details, the Virgin’s bedroom in Rossetti’s painting is shockingly simple. White stone tiles cover the floor; the walls have white paint; the window has no panes; and the only other object in the room is a simple, low wooden bed with a white mat and pillow.

In traditional paintings, the room draws the viewer in and the eye is allowed to move through the scene to the back wall of the bedroom. But Rossetti places the Virgin Mary in a room that is almost claustrophobic it is so small. The use of perspective is unconvincing: her bed appears about to slide out of the painting, and the floor on the left of the painting blends into the wall, furthering the effect of a steep plane.

For the view out the window at the back, Rossetti might have given the scene depth by allowing us to see a scene in the distance. Instead, however, he shows only blue sky and part of a tree.

Look too at the angel. Rather than a winged, long-haired boyish angel, Rossetti paints an androgynous Gabriel, without wings, his face only visible in highly shadowed profile, with the hints of yellow flames around his feet.

The Virgin Mary sits on her bed and slouches against the wall. She is markedly adolescent with her beautiful young features, un-brushed straight hair, a childishly thin body, and the hesitance, fear and melancholy with which she responds to the Angel Gabriel’s news. Wisps of her messy, auburn hair spread around her neck, silhouetted against her white dress, reminiscent of a bloodshot eye or perhaps intentionally hinting at Christ’s crown of thorns.

Rossetti has no use for the stiff, exaggerated poses of primitive Virgins. He seems most concerned with the sincere response of a young girl who has been given a burden that is both wonderful and laden with responsibility. And in this task, Rossetti thoroughly succeeds.

The Virgin Mary is keenly aware of her position, and it is this self-awareness and terror that endows the painting with its power. This painting inspires the viewer to religious contemplation and prayer. But it also speaks strongly to universal issues of growth, responsibility and youthful vulnerability.

The Annunciation … a fresco in the Church of Panaghia Dexia in Thessaloniki (Photograph: Patrick Comerford)

Favoured and perplexed

When the Virgin Mary hears the Angel Gabriel address her as the ‘favoured one’ and tell her, ‘The Lord is with you,’ she is ‘much perplexed by his words’ and she ponders ‘what sort of greeting this might be.’

Perplexed?

We might think she was perplexed, to say the least.

She has been told she is to bear a child, who would be called Son of God, and who would receive the throne of David.

‘How can this be?’ she asks.

And well she might ask.

She might well wonder how she is going to survive a full nine months until this baby is born, once her father, her family, her friends and her village hear she is pregnant.

Both the BBC and the Guardian reported some years ago, in the weeks before Christmas, how there has been a frightening increase in ‘honour killings’ in Britain. At the time, the topic also provided a story line in EastEnders.

So-called ‘honour killings’ were frequent too around the time of the first Christmas. A woman who was sexually violated by a man – even against her will – could be killed, usually by her own father or brother, so the illegitimately conceived child would bring no further shame to the family.

The newly-betrothed Joseph would know he is not the father of the Virgin Mary’s baby. If a man and a woman who were betrothed to each other had sex with each other and the village knew it, they were considered to be married. This, and not some religious ceremony, marks what we might call the ‘consummation’ of the union, and the engagement now becomes a marriage in common law.

Should Joseph intend to stay with Mary, then he has to protect her and protect himself by acknowledging the child is his.

On the other hand, if he does not do this, Mary’s pregnancy becomes known and her father or brothers do not kill her, then the Biblical code commanded the death penalty both for her and for the man – if he is known too – who has stolen Joseph’s betrothed and made her pregnant.

And, of course, if child’s true identity is truly known, there are others who would like to ensure that Mary does complete her full term of pregnancy.

Herod the Great, who rules as king with Rome’s support, would not be very happy with another claimant to David’s throne arriving on the scene.

If the authorities realise this child is going to be honoured as the ‘Son of God,’ they too would have to take action. This is a title used for the Roman Emperors; any usurper or pretender is likely to end up on a cross rather than on a throne.

The Annunciation depicted on a panel inset on a house in Castle Bellingham, Co Louth (Photograph: Patrick Comerford)

Anticipation and challenge

In the choice of the Canticle Magnificat to accompany the readings, both responses are anticipated and challenged in Mary’s song, in which she praises God and proclaims:

He has shown strength with his arm;
he has scattered the proud in the thoughts of their hearts.
He has brought down the powerful from their thrones,
and lifted up the lowly;
he has filled the hungry with good things,
and sent the rich away empty.
– Luke 1: 52-53.

In our world today, despite financial and economic problems and banking and trading scandals, are the proud and the powerful still on their thrones?

Are the lowly still waiting to be lifted up?

Are the hungry waiting to be filled with good things?

Do the rich still find themselves still walking away with all they want?

What are the promises of this Advent, of every Advent, of the coming Kingdom?

What are the promises and prospects for a child who is born among us this Christmas?

We live in a world where the survival chances of a child depend not just on attitudes to ‘honour killings,’ but even more so depend on the financial and economic climates where mothers live.

The American blogger and theologian Sarah Dylan Breuer cites Mike Russell when she points out that this is a world in which one more child dies every three seconds from extreme poverty; where 300 children die during an average Sunday sermon in an Anglican church; and where 1,600 children die during each celebration of the Eucharist.

Yet, the Advent readings tell us repeatedly that God’s promise is that through Christ the hungry will be filled with good things. We might ask, with Mary: ‘How can this be?’

We too may ponder these things in our hearts. But having pondered them, what do we say about them next Sunday?

We too are called to bring the Good News of liberation to the prisoners, of food for the hungry, of dignity for those regarded as lowly.

We too are called to do that not just in words or song, but like the Virgin Mary, by giving flesh to God’s hope, God’s peace, God’s justice, and God’s love for the world.

The young, unmarried teenage Mary found the courage to face her father, her family, her potential husband, her friends, her village, despite the risk of pointing and whispering … and even stoning to death. There would be a birth … and there would be another death. And I recall the words of TS Eliot:

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.


– TS Eliot, Journey of the Magi (1927)

The Annunciation depicted on a panel on the triptych in the Lady Chapel in Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)

Luke 1: 26-38 (NRSVA):

26 In the sixth month the angel Gabriel was sent by God to a town in Galilee called Nazareth, 27 to a virgin engaged to a man whose name was Joseph, of the house of David. The virgin’s name was Mary. 28 And he came to her and said, ‘Greetings, favoured one! The Lord is with you.’ 29 But she was much perplexed by his words and pondered what sort of greeting this might be. 30 The angel said to her, ‘Do not be afraid, Mary, for you have found favour with God. 31 And now, you will conceive in your womb and bear a son, and you will name him Jesus. 32 He will be great, and will be called the Son of the Most High, and the Lord God will give to him the throne of his ancestor David. 33 He will reign over the house of Jacob for ever, and of his kingdom there will be no end.’ 34 Mary said to the angel, ‘How can this be, since I am a virgin?’ 35 The angel said to her, ‘The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be holy; he will be called Son of God. 36 And now, your relative Elizabeth in her old age has also conceived a son; and this is the sixth month for her who was said to be barren. 37 For nothing will be impossible with God.’ 38 Then Mary said, ‘Here am I, the servant of the Lord; let it be with me according to your word.’ Then the angel departed from her.

A depiction of the Annunciation in the Rose Room in the Kairos Centre in west London … the venue for a recent residential meeting of USPG trustees (Photograph: Patrick Comerford)

Liturgical Resources:

Liturgical Colour: Violet (Purple), Advent, Year B

The Collect of the Day:

God our redeemer,
who prepared the blessed Virgin Mary
to be the mother of your Son:
Grant that, as she looked for his coming as our saviour,
so we may be ready to greet him
when he comes again as our judge;
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.

The Advent Collect:

This collect is said after the Collect of the day until Christmas Eve:

Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life
in which your Son Jesus Christ came to us in great humility;
that on the last day
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.

Post Communion Prayer:

Heavenly Father,
you have given us a pledge of eternal redemption.
Grant that we may always eagerly celebrate
the saving mystery of the incarnation of your Son.
We ask this through him whose coming is certain,
whose day draws near,
your Son Jesus Christ our Lord.

Additional Liturgical resources for Advent:

The liturgical provisions suggest that the Canticle Gloria may be omitted during Advent, and it is traditional in Anglicanism to omit Gloria at the end of canticles and psalms during Advent, which would, of course, include Magnificat this Sunday morning.

These additional liturgical resources are provided for Advent in the Book of Common Prayer (2004):

Penitential Kyries:

Turn to us again, O God our Saviour,
and let your anger cease from us.

Lord, have mercy.
Lord, have mercy.

Show us your mercy, O Lord,
and grant us your salvation.

Christ, have mercy.
Christ, have mercy.

Your salvation is near for those that fear you,
that glory may dwell in our land.

Lord, have mercy.
Lord, have mercy.

Introduction to the Peace:

In the tender mercy of our God,
the dayspring from on high shall break upon us,
to give light to those who dwell in darkness
and in the shadow of death,
and to guide our feet into the way of peace. (Luke 1: 78, 79)

Preface:

Salvation is your gift
through the coming of your Son our Saviour Jesus Christ,
and by him you will make all things new
when he returns in glory to judge the world:

Blessing:

Christ the sun of righteousness shine upon you,
gladden your hearts
and scatter the darkness from before you:

Lighting the fourth, purple candle on the Advent Wreath in Kilcornan Church, Castltown, Co Limerick (Photograph: Barbara Comerford, 2019)

The Advent Wreath:

On the Advent Wreath on the Fourth Sunday of Advent, the fourth, purple, symbolising the Virgin Mary, is lit this morning alongside the two puple candles, symbolising the Patriarchs and the Prophets. and the pink candle from last Sunday symbolising Saint John the Baptist.

The prayers at the Advent Wreath on the Sundays in Advent can help us to continue our themes from the Sunday before Advent [22 November 2020], which we marked in these dioceses as Mission Sunday.

The first purple candle lit on the Advent Wreath on the First Sunday of Advent was the Purple Candle, recalling the Patriarchs and Matriarchs. The second purple candle, lit on the Second Sunday, represents the Prophets. The third, rose-coloured or pink candle, which we lit last Sunday [13 December 2020], the Third Sunday of Advent, represents Saint John the Baptist.

USPG suggests this prayer when lighting the fourth candle representing the Virgin Mary:

The Virgin Mary

O God of promise,
whose mother Mary carried your Christ in an occupied land;
we pray for mothers in the Holy Land
who today live with restrictions and violence.
Bless the church-run hospitals that serve them and their children
regardless of race, religion or financial status.

An extra preaching resource:

Rámond Mitchell, Volunteer and Education Coordinator for the Anglican mission agency USPG (United Society Partners in the Gospel), will provide the sermon for USPG’s pre-recorded sermon for the Fourth Sunday of Advent, 20 December. This will be available by 17 December.

USPG’s sermon for January with be provided by the Right Revd John Perumbalath, Bishop of Bradwell in Chelsmford Diocese for Sunday 24 January, the Third Sunday of Epiphany.

USPG is also offering pre-recorded sermons for 21 February and 21 March 21. To order these sermons for your church email Gwen Mtambirwa, Mission Engagement Co-ordinator at USPG, gwenm@uspg.org.uk.

The Annunciation depicted on a panel in the reredos in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford, 2019)

Suggested Hymns:

II Samuel 7: 1–11, 16:

342, Sweet is the solemn voice that calls
73, The day thou gavest, Lord, is ended
343, We love the place, O God

Canticle Magnificat:

704, Mary sang a song, a song of love
712, Tell out, my soul, the greatness of the Lord
373, To God be the glory! Great things he has done!

Alternative Psalm (Psalm 89: 1-4, 19-26)

690, Come, worship God who is worthy of honour
374, When all thy mercies, O my God

Romans 16: 25–37:

636, May the mind of Christ my Saviour
175, Of the Father’s heart begotten

Luke 1: 26–38

119, Come, thou long–expected Jesus
263, Crown him with many crowns (verses 1, 2, 5, 6)
462, For Mary, mother of our Lord
123, God the Father sends his angel
125, Hail to the Lord’s anointed
92, How sweet the name of Jesus sounds
94, In the name of Jesus
97, Jesus shall reign where’er the sun
99, Jesus, the name high over all
133, Long ago, prophets knew
704, Mary sang a song, a song of love
175, Of the Father’s heart begotten
472, Sing we of the blessèd mother
139, The angel Gabriel from heaven came
73, The day thou gavest, Lord, is ended
185, Virgin–born, we bow before thee
477, We praise you, Lord, today

Jacques Yverni, ‘The Annunciation’ (ca 1435) in the National Gallery of Ireland, Dublin (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.

The hymn suggestions are provided in Sing to the Word (2000), edited by Bishop Edward Darling. The hymn numbers refer to the Church of Ireland’s Church Hymnal (5th edition, Oxford: OUP, 2000).

The Annunciation depicted in the East Window in the Church of the Annunciation, Bansha, Co Tipperary (Photograph: Patrick Comerford, 2020)

Monday, 7 December 2020

Readings, hymns and
sermon ideas for
Sunday 13 December 2020,
Third Sunday of Advent

The fifth century mosaic of the Baptism of Christ in the Neonian Baptistry in Ravenna (Photograph: Patrick Comerford)

Patrick Comerford

Next Sunday [13 December 2020] is the Third Sunday of Advent (Year B), which is known in many parts of the Church as ‘Gaudete Sunday.’

The readings in the Revised Common Lectionary for Sunday are: Isaiah 61: 1-4, 8-11; Psalm 126 or the Canticle Magnificat; I Thessalonians 5: 16-24; and John 1: 6-8, 19-28.

There is a direct link to the readings HERE.

The Triptych of the Baptism of Christ in the Chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford)

Introducing Gaudete Sunday

On Sunday, we light the third, pink candle on the Advent Wreath, and the prayers and readings reflections might usefully provide a focus in our reflections or sermons on Saint John the Baptist.

Gaudete Sunday takes its name from the Latin word Gaudete (‘Rejoice’), the first word of the traditional entrance antiphon or introit for the day:

Gaudete in Domino semper:
iterum dico, gaudete.
Modestia vestra nota sit omnibus hominibus:
Dominus enim prope est.
Nihil solliciti sitis:
sed in omni oratione petitiones vestræ innotescant apud Deum.
Benedixisti Domine terram tuam: avertisti captivitatem Jacob.


This may be translated as:

Rejoice in the Lord always;
again I say, rejoice.
Let your forbearance be known to all,
for the Lord is near at hand;
have no anxiety about anything,
but in all things, by prayer and supplication, with thanksgiving, let your requests be known to God.
Lord, you have blessed your land; you have turned away the captivity of Jacob.


In many churches, rose-coloured vestments are worn on Gaudete Sunday instead of the violet of Advent. In some Anglican traditions, ‘Sarum Blue’ is used instead.

Blue as a liturgical colour represents hopefulness. The use of blue at this time of the year as a liturgical colour in some Christian traditions is found in the usage of the Church of Sweden (Lutheran) and the mediaeval Sarum Rite in England. While Sarum had blue for Advent, Lichfield had black or possibly blue, Exeter had violet, Wells had azure, dark blue or even a bright blue or purple, while Liverpool had lilac.

The colour blue is also used in the Mozarabic Rite (Catholic and Anglican), which dates to the eighth century, and the Lutheran Book of Worship lists blue as the preferred colour for Advent. In his classic on liturgy, Percy Dearmer explains that violet can range from purple through to blue. But then I remember the old playground rhyme: ‘Roses are red, violets are blue …’ So I have a blue stole for Advent, with touches of red, rose and violet … and even a touch of black.

The tradition of substituting violet with rose or pink, which was observed informally in the past by Anglicans, is provided as an option in the Church of England in Common Worship.

Similarly, the rose-coloured candle is lit on the Advent wreath on Gaudete Sunday, alongside the two violet or blue candles from the first two Sundays of Advent.

‘He has sent me … to proclaim liberty to the captives and release to the prisoners’ (Isaiah 61: 1) … an empty prison cell in the former concentration camp at Sachsenhausen (Photograph: Patrick Comerford)

Isaiah 61: 1-4, 8-11:

This first reading was probably written after the return from Exile in Babylon. It looks forward to the total salvation of God’s people – bodily, spiritually, individually and socially. The prophet says God has empowered and anointed him to act on God’s behalf.

Verses 1b to 2 are quoted by Christ when he preaches in the synagogue in Nazareth (see Luke 4: 18-19).

‘The year of the Lord’s favour’ (verse 2; see Leviticus 25:10) refers to the jubilee year, a year dedicated to God, when all shall be free to return home to their families, and a year of rest when the land produces without being sown or worked.

Verses 4-7 tell us that strangers or foreigners from all nations are to contribute to the restoration of righteousness on earth. They will be double blessed and have eternal joy, and God’s agreement will last for ever.

In verses 10-11, the prophet speaks of the renewed Jerusalem. All will rejoice because God has provided salvation and has healed their rift with God, and the people will praise God as an example for ‘all the nations.’

‘Then was our mouth filled with laughter and our tongue with songs of joy’ (Psalm 126: 2) … a sign in a café in Rathkeale, Co Limerick (Photograph: Patrick Comerford)

Psalm 126:

The Psalm is a liturgical song for use in public worship.

When the people first returned from exile in Babylon, they could hardly believe their good fortune. But after the initial joy, life is difficult, and they ask God to restore their fortunes.

‘From this day forward all generations shall call me blessed’ (the Canticle Magnificat) … Christ with the Virgin Mary and Saint John the Baptist in a stained-glass window in the Hub at Saint Mary’s, Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford)

The Canticle ‘Magnificat’:

The lectionary offers the Canticle Magnificat as an alternative to the psalm on this Sunday. However, if it is not used this Sunday, it should be used the following Sunday instead of the psalm.

The ‘O Antiphons’ (see below) were written as daily introits to the Canticle Magnificat in the last week of Advent, and offer the opportunity for reflective introductions to the use of this canticle on this Sunday.

Saint Paul preaching to the Thessalonians … a fresco in the Cathedral in Thessaloniki (Photograph: Patrick Comerford)

I Thessalonians 5: 16-24

The Apostle Paul is drawing near the end of his first letter to the Church and the early Christians in Thessaloniki. God’s plan for them, realised in Christ, is to rejoice always, to make their lives a continual prayer, and to be thankful to God, whatever happens to them.

Saint Paul tells them not to suppress manifestations of the Holy Spirit, not to despise the words of prophets or words of consolation and warnings spoken by members who receive messages from God, and not to ignore predictions of future events.

They are to be aware that there are true and false prophets. Some speak God’s word authentically, but others who do not and are false or evil. We must take care and test or discern all supposed manifestations of the Spirit (‘test everything,’ verse 21).

Finally, Saint Paul prays that God, who brings peace in the community and promises eternal peace in his kingdom, may bring them into union with him. Their relationships with God and with one another must worthy of the kingdom when Christ comes again.

The Holy Spirit descending as a dove … part of a triptych in the Chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford)

John 1: 6-8, 19-28:

Although the readings in Year B are a journey through Saint Mark’s Gospel, there is a digression on this Sunday as we read the account in Saint John’s Gospel of the Baptism of Christ by Saint the Baptist in the River Jordan.

In the opening verses of his Gospel, Saint John tells us, that the Word, the Logos, in other words, what God says, God in action, God creating, God revealing and redeeming, exists before all time. He is the force behind all that exists; he causes physical and spiritual life to be; life, goodness and light overcomes all evil. Christ, the ‘light’ (verse 7), took on being human through God, and is a force for goodness, light, godliness, for all people.

Now he tells of Saint John the Baptist, who is sent or commissioned by God to point to Christ, to ‘testify to the light’ (verse 7). Saint John the Baptist is the lamp that illumines the way, but Christ is the light (verse 8).

When the religious authorities (verse 19) send their representatives, priests and Levites, to assess John’s authenticity as a religious figure, John tells them that he is neither of the two figures they are expecting to come to earth: he is neither ‘the Messiah’ (verse 20) nor the returned ‘Elijah’ (verse 21). At that time, Jews believed that one or both would establish a kingdom on earth that would be free of Roman domination.

Neither is John the prophet some expected would be instrumental in establishing the Messiah’s kingdom. Saint John says simply that he is the one who prepares ‘the way of the Lord’ (verse 23), who announces the Messiah’s coming, fulfilling the promise in Isaiah 40: 3.

The representatives of the Pharisees ask John in verse 25 why he is performing an official rite without official status. John tells them that the one to whom he points is already on earth. He is so great that for his part John protests he is not even worthy to be his slave.

The setting for this story is interesting, for it all takes place outside Israel (see verse 28).

Some years ago, I was recording a television programme for Joe Duffy’s Spirit Level, broadcast on RTÉ [Sunday 7 December 2014]. I was part of a panel of four, and in the test run beforehand, each of us was asked how to be addressed, and for titles for the on-screen captions.

We can become very precious about our titles in the Church of Ireland … ‘Reverend’ … ‘Very Reverend’ … ‘Right Revd’ … Canon … Professor … Dr … Dean … Archdeacon … Your Grace … My Lord … and so on.

In terms of respect for the office, or in terms of shorthand descriptions of someone’s function in the Church, they serve a purpose. But respect is not a right, it must be earned, and when we start standing on our dignity, taking ourselves too seriously, something has gone wrong.

I figure if I am known to God by the name I was baptised with, Patrick, then all Christians should feel perfectly at ease in calling me that.

And in terms of office, I should never forget that I too am one of the laos, the People of God, by virtue of my baptism, and that I remain a deacon, someone who was first ordained to serve.

Saint John the Baptist is self-effacing about himself; he is aware of his role, and he refuses to exaggerate it; yet, on the other hand, to descend to self-abasement.

He sees his own ministry as one of waiting and preparing. He is a man sent from God, he is a witness testifying to the light, but he is not the light himself, and he is quick to dispel any confusion. He is not the Messiah, he is not the Prophet Elijah, who was expected to come again. All he says about himself is that he is the voice of one crying out in the wilderness the words first spoken by the Prophet Isaiah.

‘The Lamb of God who takes away the sins of the world’ (John 1: 29 and 36) … the Lamb of God depicted on the gate of Middle Temple in London (Photograph: Patrick Comerford, 2020)

Have you noticed the terms Saint John the Baptist uses to describe Christ outside this Gospel reading?

● ‘The Lamb of God who takes away the sins of the world’ (John 1: 29 and 36): This title is given to Christ at the beginning of his public ministry as he approaches Saint John the Baptist, and is repeated the next day. It has resonances of the Passover, so Saint John’s Gospel begins with Christ being hailed as the Lamb of God and closes with his death as the Paschal Lamb is sacrificed in the Temple. This title speaks to us, therefore, of self-sacrifice, revealing a God who suffers for and with us.

● ‘The one who existed before John’ (verse 30).

● ‘The Son of God’ (John 1: 34): The two acclamations of Christ as ‘the Lamb of God’ enclose or bookend his other proclamation (John 1:34): ‘I have borne witness that this is the Son of God’ or ‘God’s Chosen One’ (verse 34). This is the first time in this Gospel that Christ is given the messianic title of ‘the Son of God.’ The title of ‘The Son of God’ is another reference to the Suffering Servant of Isaiah.

Saint John’s description of Christ as the ‘Lamb of God who takes away the sin of the world’ presents Christ as the Servant of God described in Isaiah as being led without complaint like a lamb before the shearers, a man who ‘bore the sin of many and made intercession for the transgressors’ (see Isaiah 53: 7-12). But this is also read, with the benefit of hindsight, as a reference to the Lamb sacrificed at Passover – in Saint John’s Gospel, the crucifixion takes place at the same time as the Passover.

But the Lamb of God who is taking away not just my sin, not just our sin, not just the sin of many, of Christians, or those we judge as transgressors – not even the sin of the world, but the sin of the cόσμος (kosmos), the whole created order.

There is a difference in translations that speak of the ‘sins of the world’ and the ‘sin of the world.’

The word in verse 29 is the singular sin of the cosmos: ἁμαρτίαν τοῦ κόσμου. The word indicates being without a share in something, in this case God’s intention or design, or missing the mark.

So often the world has missed the mark in terms of shaping up to Gods plan and intention for the whole creation, the whole cosmos.

Saint John also describes Christ (verse 30) as one who ‘existed before me’ (RSV) or who ‘was before me’ (NRSV), reflecting a recurring theme in Johannine literature of the pre-existence of the Word.

But who do the disciples say Christ is?

Later, they are to give three very different descriptions from those given by Saint John the Baptist:

● Rabbi or Teacher (verse 38);

● the one to see and follow (verse (verse 39);

● the Messiah or the anointed one (verse 41).

Robert Spence (1871-1964), ‘Woe to the Bloody City of Lichfield,’ depicts George Fox preaching barefooted in the Market Square in Lichfield 1651 … George Fox challenged his followers to say who Christ is for them (The Hub at Saint Mary’s/Saint Mary’s Church, Lichfield)

Who is Christ for you?

Who is Christ for you? This is a question each and every one of us must ask ourselves anew time and time again.

He must be more than a good rabbi or teacher, because the expectations of a good religious leader or a good teacher change over time.

In this time of Advent, can you ask who is the Coming Messiah for me?

At the time, many people had false expectations of the Coming Messiah.

We may see the difference between how Saint John, near the end of his ministry, describes Christ, and how the disciples, at the beginning of answering Christ’s call, describe Christ. But who is Christ for you?

George Fox, the founding Quaker, challenged his contemporaries: ‘You may say Christ saith this, and the apostles say this, but what canst thou say? Art thou a child of the Light and hast thou walked in the Light, and what thou speakest is it inwardly from God?’

Who is Christ for you?

Is he a personal saviour?

One who comforts you?

Or is he more than that for you?

Who do you say Christ is?

It is a question that challenges Saint Peter later in Saint Matthew’s Gospel (see Matthew 16: 15). Not who do others say he is, but who do you say Christ is?

I find it is a beautiful presentation in Saint John’s Gospel that the beginning of Christ’s ministry is set out over six days. And on the seventh day of that new beginning we have a sabbath – God rests; Christ goes to the wedding at Cana, the third of the Epiphany moments. And there we have a sign, a sacrament, a token of the complete transformation of the created order, a sacramental or symbolic token of the heavenly banquet (John 2: 1-12).

Who is Christ for you?

Is Christ inviting you to the heavenly banquet, to enjoy the new creation, to be in partnership with him, as the Lamb of God, in the renewal of the cosmos?

Saint John the Baptist and the Baptism of Christ in a stained-glass window in Saint Bartholomew’s Church, Dromcollogher, Co Limerick (Photograph: Patrick Comerford, 2019)

John 1: 6-8, 19-28 (NRSVA):

6 There was a man sent from God, whose name was John. 7 He came as a witness to testify to the light, so that all might believe through him. 8 He himself was not the light, but he came to testify to the light.

19 This is the testimony given by John when the Jews sent priests and Levites from Jerusalem to ask him, ‘Who are you?’ 20 He confessed and did not deny it, but confessed, ‘I am not the Messiah.’ 21 And they asked him, ‘What then? Are you Elijah?’ He said, ‘I am not.’ ‘Are you the prophet?’ He answered, ‘No.’ 22 Then they said to him, ‘Who are you? Let us have an answer for those who sent us. What do you say about yourself?’ 23 He said,

‘I am the voice of one crying out in the wilderness,
“Make straight the way of the Lord”,’
as the prophet Isaiah said.

24 Now they had been sent from the Pharisees. 25 They asked him, ‘Why then are you baptizing if you are neither the Messiah, nor Elijah, nor the prophet?’ 26 John answered them, ‘I baptize with water. Among you stands one whom you do not know, 27 the one who is coming after me; I am not worthy to untie the thong of his sandal.’ 28 This took place in Bethany across the Jordan where John was baptizing.

The Baptism of Christ above the entrance to the Baptistery in Florence (Photograph: Patrick Comerford)

Liturgical Resources:

Liturgical Colour: Violet (Purple), Advent, Year B (or Pink or Rose, Gaudete Sunday).

The Collect of the Day:

O Lord Jesus Christ,
who at your first coming sent your messenger
to prepare your way before you:
Grant that the ministers and stewards of your mysteries
may likewise so prepare and make ready your way
by turning the hearts of the disobedient to the wisdom of the just,
that at your second coming to judge the world
we may be found an acceptable people in your sight;
for you are alive and reign with the Father and the Holy Spirit,
one God, world without end.

The Advent Collect:

This collect is said after the Collect of the day until Christmas Eve:

Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life
in which your Son Jesus Christ came to us in great humility;
that on the last day
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.

The Collect of the Word:

This was not available when these notes were being prepared

The Post Communion Prayer:

Father,
we give you thanks for these heavenly gifts.
Kindle us with the fire of your Spirit
that when Christ comes again
we may shine as lights before his face;
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.

Further Liturgical resources:

The liturgical provisions suggest that the Gloria may be omitted during Advent, and it is traditional in Anglicanism to omit the Gloria at the end of canticles and psalms during Advent.

These additional liturgical resources are provided for Advent in the Book of Common Prayer (2004):

Penitential Kyries:

Turn to us again, O God our Saviour,
and let your anger cease from us.

Lord, have mercy.
Lord, have mercy.

Show us your mercy, O Lord,
and grant us your salvation.

Christ, have mercy.
Christ, have mercy.

Your salvation is near for those that fear you,
that glory may dwell in our land.

Lord, have mercy.
Lord, have mercy.

Introduction to the Peace:

In the tender mercy of our God,
the dayspring from on high shall break upon us,
to give light to those who dwell in darkness
and in the shadow of death,
and to guide our feet into the way of peace. (Luke 1: 78, 79)

Preface:

Salvation is your gift
through the coming of your Son our Saviour Jesus Christ,
and by him you will make all things new
when he returns in glory to judge the world:

Blessing:

Christ the sun of righteousness shine upon you,
gladden your hearts
and scatter the darkness from before you:

The ‘O Antiphons’ … a detail from the Ghent Altarpiece, by Jan Van Eyck, 1420s

The ‘O Antiphons’:

The O Antiphons, which traditionally begin on Thursday next [17 December 2020], are the antiphons for the canticle Magnificat at Vespers, and also serve as the Gospel acclamations.

On the evening of 17 December, as we begin reflecting on the O Antiphons, we are looking forward not just to Christmas – although we are looking forward to that too – but to a time of rejoicing. For, as the Epistle reading this Sunday says:

‘Rejoice always, pray without ceasing, give thanks in all circumstances; for this is the will of God in Christ Jesus for you … May the God of peace himself sanctify you entirely; and may your spirit and soul and body be kept sound and blameless at the coming of our Lord Jesus Christ’ (I Thessalonians 5: 16-18, 23).

Each of these Antiphons begins with an ‘O’ and relates to some facet of Christ’s nature and ancestry, so that as the week draws us to Christmas the note of longing love and desire intensifies:

17 December: O Sapientia, O Wisdom;
18 December: O Adonai , O Lord of Israel;
19 December: O Radix Jesse, O Root of Jesse.
20 December: O Clavis David, O Key of David.
21 December: O Oriens, O Morning Star rising in the East.
22 December: O Rex Gentium, O King of all nations.
23 December: O Emmanuel, O Emmanuel, God is with us.

Lighting the third, pink candle on the Advent Wreath in Saint Brendan’s Church, Kilnaughtin (Tarbert), Co Kerry (Photograph: Barbara Comerford)

The Advent Wreath on the Third Sunday of Advent (The Pink Candle):

On the Advent Wreath on the Third Sunday of Advent, the rose-coloured or pink candle, symbolising Saint John the Baptist, is lit alongside the two violet candles, symbolising the Patriarchs and the Prophets.

The prayers at the Advent Wreath on the Sundays in Advent can help us to continue our themes from the Sunday before Advent [22 November 2020], which we marked in these dioceses as Mission Sunday.

The first purple candle to light on the Advent Wreath on the First Sunday of Advent was the Purple Candle, recalling the Patriarchs and Matriarchs. The second purple candle, which we lit on the Second Sunday, represents the Prophets. The third, rose-coloured or pink candle, which we light on the Third Sunday of Advent, represents Saint John the Baptist.

USPG suggests this prayer when lighting the third candle:

O God of justice,
whose servant John prepared the way for Jesus’ coming;
we pray for the medical mission of the Church of Bangladesh
as it prepares the way for prematurely born children.
Bless the babies from different faiths who share the warmth of a common incubator.
May their world become a fair and just home for all.

The Baptism of Christ by Saint John the Baptist depicted in the Baptistery in Porto Cathedral (Photograph: Patrick Comerford, 2019)

Suggested Hymns:

Isaiah 61: 1-4, 8-11:

218: And can it be that I should gain
494: Beauty for brokenness
481: God is working his purpose out as year succeeds to year
324: God, whose almighty word
125: Hail to the Lord’s anointed
569: Hark, my soul! it is the Lord
124: Hark the glad sound! the Saviour comes
418: Here, O my Lord, I see thee face to face
574: I give you all the honour
357: I’ll praise my maker while I’ve breath
97: Jesus shall reign where’er the sun
99: Jesus, the name high over all
671: Jesus, thy blood and righteousness
134: Make way, make way for Christ the King
706: O bless the God of Israel
104: O for a thousand tongues to sing

Psalm 126:

567: Forth in thy name, O Lord, I go
356: I will sing, I will sing a song unto the Lord
712: Tell out, my soul, the greatness of the Lord
373: To God be the glory! Great things he has done!

Alternative Canticle, ‘Magnificat’:

704: Mary sang a song, a song of love
712: Tell out, my soul, the greatness of the Lord
373: To God be the glory! Great things he has done!

I Thessalonians 5: 16-24:

455: Go forth for God, go forth to the world in peace
631: God be in my head
303: Lord of the Church, we pray for our renewing
634: Love divine, all loves excelling
639: O thou, who camest from above
341: Spirit divine, attend our prayers
446: Strengthen for service, Lord, the hands
73: The day thou gavest, Lord, is ended

John 1: 6-8, 19-28:

124: Hark the glad sound! the Saviour comes
134: Make way, make way, for Christ the king
135: O come, O come, Emmanuel
136: On Jordan’s bank the Baptist’s cry

Saint John the Baptist depicted in a fresco in the Church of the Four Martyrs in Rethymnon, Crete (Photograph: Patrick Comerford, 2018)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.

The hymn suggestions are provided in Sing to the Word (2000), edited by Bishop Edward Darling. The hymn numbers refer to the Church of Ireland’s Church Hymnal (5th edition, Oxford: OUP, 2000).

Saint John the Baptist with Patriarchs and Apostles in a stained glass window in Truro Cathedral … from left: Noah with the Ark; Moses with the Ten Commandments; Saint John the Baptist; Saint Peter with the keys; and Saint Philip the Deacon with a pilgrim's shell also used for baptism (Photograph: Patrick Comerford, 2019)