The Visitation depicted in the central panel in the East Window in Saint Mary’s Church, Pallaskenry, Co Limerick (Photograph: Patrick Comerford, 2021)
Patrick Comerford
The Feast of the Visitation of the Blessed Virgin Mary in on Monday next, 31 May 2021.
Last year (2020), 31 May was Pentecost Day, so any opportunities for marking this feast day were cancelled by both the exigencies of the Church Calendar and the Covid-19 pandemic restrictions.
This year, with a slight easing of restrictions on church attendances, the Feast of the Visitation may be the first opportunity for churches with the dedication ‘Saint Mary’ to find an appropriate occasion for a weekday Eucharist.
The readings in the Revised Common Lectionary, as adapted for use in the Church of Ireland are:
The Readings: Zephaniah 3: 14-18; Psalm 113; Romans 12: 9-16; Luke 1: 39-39 (50-56).
In the Calendar of Common Worship, the Feast of the Visitation or the Visit of the Blessed Virgin Mary to Elizabeth may be celebrated in the Church of England on 2 July, the date it was once assigned in The Book of Common Prayer, instead of 31 May.
‘Mary meets Elizabeth’ (1996), by Dinah Roe Kendall, from ‘Allegories of Heaven: an artist explores the greatest story ever told’ (Carlisle: Piquant, 2002)
Introduction:
One of my favourite depictions of the Visitation is Dinah Roe Kendall’s painting, Mary meets Elizabeth (1996), which is in acrylic on canvas.
Dinah Roe Kendall was born in Bakewell, Derbyshire, in 1923 into a family of professional artists. Her grandfather and great-grandfather were both well-known artists. Her great-grandmother was the daughter of the Victorian sculptor whose statue of Lord Nelson stands in Trafalgar Square, London.
Her father planned for her to proceed to full-time training, but World War II and his early death occurred before these hopes could be realised. After her wartime nursing, she attended Sheffield Art School and was then received an ex-service grant to enable her to study at the Slade School of Fine Art in London (1948 to 1952).
There Lucien Freud asked her to sit for him, Stanley Spencer’s daughter Unity was a fellow-student, and Dinah learned from Jacob Epstein, Stanley Spencer and many other artists.
The nostalgic world of primitive painting is far removed from her vibrant Biblical scenes, placed in modern contexts and painted in modern materials. Although the influence of her teachers can be seen in her work, she has moved on from them, developing a style that is distinctly her own.
Her paintings are drenched in colour, reflecting five years of living in Cyprus and the influence of modern artists she has admired, including Peter Howson and Ana Maria Pacheco.
She usually paints in acrylic on board or canvas, mixing the paint with thickening media. Her angels wear robes built up of thick knife and brush strokes flecked with gold. She paints the cross as a visual sermon: no mere philosophical concept, but a hunk of wood along which, as Francis Schaeffer used to remark, one could have run a finger and got a splinter.
Despite changing fashions and much pressure to explore abstract art, she has always remained a figurative painter. Her Biblical scenes are cast in modern contexts: Christ visits a school in Sheffield; Lazarus is raised from the dead in an alcove in a wall borrowed from Chatsworth House; Jairus’s daughter wakes up upstairs in a modern home, surrounded by modern neighbours as an abandoned teddy-bear on a chair in by the window watches on in amazement; the infant Christ presented in the Temple is looking right at the viewer; in the case of the Woman taken in Adultery, Christ’s finger writing in the dust points out of the canvas and at the viewer.
Her ‘Entry into Jerusalem’ is set in the playground of the Porter Croft School in Sheffield, where the painting now hangs, and the Baptism of Christ takes place in a swimming pool.
At the ‘Supper at Emmaus,’ Christ sits at the head of a table, with two disciples whose hands reach out towards his. He is holding a loaf of bread; wine and glasses stand ready. His pose recalls Stanley Spencer’s 1939 painting of a lonely Christ in the Wilderness, cradling in his hands a scorpion.
There is social comment and humour too in her work: the Good Samaritan is a black man; ‘The Marriage at Cana in Galilee’ is a witty footnote to a famous painting by Breughel; and ‘Jesus visits Bethany’ is a delightful depiction of an off-duty Christ, even though the crowds are pressing in at the door. Inside the house in Bethany, Lazarus sits apart from the others in a curtained alcove as if the shadow of the tomb has not quite left him. His eyes are fixed not upon Christ but upon some faraway place, as if contemplating a landscape that only he has seen.
At the opening of an exhibition of her paintings in Winchester Cathedral some years ago, Dinah Roe Kendall said that she wants to show that meeting Christ is an unsettling and life-changing experience that could happen at any point in time.
This painting, Mary meets Elizabeth, is among her many paintings included in Allegories of Heaven: an artist explores the greatest story ever told (Carlisle: Piquant, 2002), drawing on texts from The Message text by Eugene Peterson. The Revd Tom Devonshire Jones, founder and Director Emeritus of ACE (Art and Christianity Enquiry), has commented: ‘Dinah Roe Kendall’s fresh, sassy and devout paintings are breathing new life into religious art at the start of the third millennium. Already receiving the grateful attention of worshipper and enquirer alike, they are finding a secure place in the world of faith and of art.’
The Visitation depicted in a window in Saint Ailbe’s Church, Emly, Co Tipperary (Photograph: Patrick Comerford)
The Canticle Magnificat:
The Canticle Magnificat, in the Anglican tradition, is a fixed canticle in Evening Prayer or Evensong. The original words (Luke 1: 46-55) in New Testament Greek are:
Μεγαλύνει ἡ ψυχή μου τὸν Κύριον,
καὶ ἠγαλλίασεν τὸ πνεῦμά μου ἐπὶ τῷ
Θεῷ τῷ σωτῆρί μου,
ὅτι ἐπέβλεψεν ἐπὶ τὴν ταπείνωσιν τῆς δούλης αυτοῦ.
ἰδοὺ γὰρ ἀπὸ τοῦ νῦν
μακαριοῦσίν με πᾶσαι αἱ γενεαί,
ὅτι ἐποίησέν μοι μεγάλα ὁ δυνατός.
καὶ ἅγιον τὸ ὄνομα αὐτοῦ,
καὶ τὸ ἔλεος αὐτοῦ εἰς γενεὰς καὶ γενεὰς
τοῖς φοβουμένοις αυτόν.
Ἐποίησεν κράτος ἐν βραχίονι αὐτοῦ,
διεσκόρπισεν ὑπερηφάνους διανοίᾳ καρδίας αὐτῶν·
καθεῖλεν δυνάστας ἀπὸ θρόνων
καὶ ὕψωσεν ταπεινούς,
πεινῶντας ἐνέπλησεν ἀγαθῶν
καὶ πλουτοῦντας ἐξαπέστειλεν κενούς.
ἀντελάβετο Ἰσραὴλ παιδὸς αὐτοῦ,
μνησθῆναι ἐλέους,
καθὼς ἐλάλησεν πρὸς τοὺς πατέρας ἡμῶν
τῷ Αβραὰμ καὶ τῷ σπέρματι
αὐτοῦ εἰς τὸν αἰῶνα.
The Canticle Magnificat in the Book of Common Prayer (1662) reads:
My soul doth magnify the Lord:
and my spirit hath rejoiced in God my Saviour.
For he hath regarded:
the lowliness of his handmaiden.
For behold, from henceforth:
all generations shall call me blessed.
For he that is mighty hath magnified me:
and holy is his Name.
And his mercy is on them that fear him:
throughout all generations.
He hath shewed strength with his arm:
he hath scattered the proud in the imagination of their hearts.
He hath put down the mighty from their seat:
and hath exalted the humble and meek.
He hath filled the hungry with good things:
and the rich he hath sent empty away.
He remembering his mercy hath holpen his servant Israel:
as he promised to our forefathers, Abraham and his seed for ever.
Common Worship (ELLC translation):
My soul proclaims the greatness of the Lord,
my spirit rejoices in God my Saviour;
he has looked with favour on his lowly servant.
From this day all generations will call me blessed;
the Almighty has done great things for me
and holy is his name.
He has mercy on those who fear him,
from generation to generation.
He has shown strength with his arm
and has scattered the proud in their conceit,
Casting down the mighty from their thrones
and lifting up the lowly.
He has filled the hungry with good things
and sent the rich away empty.
He has come to the aid of his servant Israel,
to remember his promise of mercy,
The promise made to our ancestors,
to Abraham and his children for ever.
An icon of the Virgin Mary found in an antique shop in Rethymnon and now in Saint Mary’s Rectory, Askeaton, Co Limerick (Photograph: Patrick Comerford)
Reflections on the Gospel reading:
The great German theologian and martyr, Dietrich Bonhoeffer (1906-1945), in a sermon in London almost 90 years ago in 1933, said the canticle Magnificat ‘is the oldest Advent hymn.’ He spoke of how the Virgin Mary knows better than anyone else what it means to wait for Christ’s coming.
When the Virgin Mary visits her cousin Saint Elizabeth, they are both pregnant – one with the Christ Child, the other with Saint John the Baptist.
When she arrives, although he is still in his mother’s womb, Saint John the Baptist is aware of the presence of Christ and the unborn child leaps for joy.
Saint Elizabeth too recognises that Christ is present, and she declares to Mary with a loud cry: ‘Blessed are you among women, and blessed is the fruit of your womb. And why has this happened to me, that the mother of my Lord comes to me? For as soon as I heard the sound of your greeting, the child in my womb leaped for joy.’
The Virgin Mary responds immediately with the words we now know as the Magnificat, one of the best loved canticles. We sang it as Hymn 712, ‘Tell out, my soul.’
So we see, side-by-side, two women, one seemingly too old to have a child, but destined to bear the last prophet, linking the Old Testament and the New Testament; and the other, seemingly too young to have a child but about to give birth to a new beginning, a new age that is not going to pass away.
I find it sad that the Virgin Mary can be divisive for those in the Protestant and Catholic traditions, in the wider Church and within Anglicanism.
There are numerous cathedrals and churches in the Church of Ireland and throughout the Anglican Communion dedicated to Saint Mary, including Saint Mary’s Cathedral, Limerick, and many Anglican cathedrals have Lady Chapels.
Article 2 of the 39 Articles is a traditional Anglican affirmation of the Virgin Mary’s title as Theotokos, the God-bearer or Mother of God: ‘The … Godhead and Manhood, were joined together in one Person, never to be divided, whereof is one Christ, very God, and very Man …’ Any other interpretations quickly lead to the heresies of Arianism, Nestorianism or Monophysitism.
The divisions among Anglicans over the place of the Virgin Mary are probably founded on perceptions of Mariology within the Roman Catholic tradition. On the other hand, many of my neighbours who come out with statements that reflect what they have been told since childhood – such as ‘You don’t believe in Mary’ – are surprised when they are told the canticle Magnificat is a traditional part of Anglican Evensong ever since the Reformation.
The Virgin Mary of the canticle Magnificat and of the Visitation is a strong and revolutionary woman, unlike the Virgin Mary of the plaster-cast statues and the Rosary.
The Mary I see as a role model for belief and discipleship is the Mary who sets off in a hurry and a flurry to visit her cousin Elizabeth, the Mary with a gob on her who speaks out of turn when she comes out with those wonderful words we hear when she sings the Canticle Magnificat.
What a contrasting pair these two cousins, Mary and Elizabeth, are!
How much they speak to so many of the dilemmas we have in Irish society today!
Elizabeth is the older woman. She has been married for years. Because of social and family pressures, she had started to become embarrassed that after all those years of marriage she has not become pregnant.
In those days – even in many places to this day – this was an embarrassing social stigma. She had no son to inherit her husband’s lands, his family position, the place of Zechariah as a priest in the Temple in Jerusalem.
She reminds us too of Sarah, who is so embarrassed at the thought of becoming pregnant in her old age that she laughs in the face of the three visitors, she laughs in the face of the living Triune God.
Today, a woman who became pregnant at her stage of life might not laugh. She might quake with fear. She might ask for amniocentesis or an amniotic fluid test.
And yet Elizabeth takes control of her situation. She turns a predicament into an opportunity, a crisis of a pregnancy so late in life into a blessing for us all.
She is so filled with joy when her cousin Mary arrives that as soon as she hears the knock on the door, as soon as she hears the sound of Mary on her doorstep, her joy is infectious, so infectious that even the child in her womb leaps with joy in her womb.
Elizabeth’s action is radical. Life is tough enough for her. Her husband has been struck dumb. A dumb priest was unlikely to be able to continue to earn a liturgical living in the Temple in Jerusalem. How was she now going to provide for her child when he was born?
But Elizabeth’s action is even more radical than that.
How many women of her age, and her respectable background, would have been so quick to rush out and welcome her much younger, single and pregnant cousin?
How many women would have worried: ‘What if she stays here and has the child here? Could we ever live with the shame?’
How many women might have suggested instead that Mary goes off and finds a home where they can find someone else to take care of her child when he is born?
Instead, Elizabeth welcomes Mary with open arms. Elizabeth’s joyful greeting, ‘Blessed are you among women …,’ echoes the greeting of the Archangel Gabriel (see Luke 1: 28), ‘Blessed are you among women, and blessed is the fruit of your womb.’
It is almost as if Elizabeth is saying: ‘It doesn’t matter what others think of you. It doesn’t matter how other people are going to judge you. I love you.’
Which is precisely what God is saying in the Incarnation, in the precious gift of the Christmas: ‘It doesn’t matter what others think of you. It doesn’t matter how other people are going to judge you. I love you.’
Mary for her part is such a wonderful, feisty person. She is, what might be described in the red-top tabloids today as ‘a gymslip Mum.’ But, instead of hiding herself away from her family, from her cousins, from the woman in her family who is married to a priest, she rushes off to her immediately, to share her good news with her.
And she challenges so many of our prejudices, and our values, and our presumptions today. Not just about gymslip mums and unexpected or unplanned pregnancies, but about what the silent and the marginalised have to say about our values in society today.
And Mary declares:
‘He has shown strength with his arm;
he has scattered the proud in the thoughts of their hearts.
He has brought down the powerful from their thrones,
and lifted up the lowly;
he has filled the hungry with good things,
and sent the rich away empty.
He has helped his servant Israel,
in remembrance of his mercy,
according to the promise he made to our ancestors,
to Abraham and to his descendants for ever.’
The words of the canticle Magnificat carved on the wooden screen at the west end of the monastic church in Mount Melleray Abbey, Cappoquin, Co Waterford (Photograph: Patrick Comerford, 2020)
Luke 1: 39-49 (50-56) (NRSVA):
39 In those days Mary set out and went with haste to a Judean town in the hill country, 40 where she entered the house of Zechariah and greeted Elizabeth. 41 When Elizabeth heard Mary’s greeting, the child leapt in her womb. And Elizabeth was filled with the Holy Spirit 42 and exclaimed with a loud cry, ‘Blessed are you among women, and blessed is the fruit of your womb. 43 And why has this happened to me, that the mother of my Lord comes to me? 44 For as soon as I heard the sound of your greeting, the child in my womb leapt for joy. 45 And blessed is she who believed that there would be a fulfilment of what was spoken to her by the Lord.’
46 And Mary said,
‘My soul magnifies the Lord,
47 and my spirit rejoices in God my Saviour,
48 for he has looked with favour on the lowliness of his servant.
Surely, from now on all generations will call me blessed;
49 for the Mighty One has done great things for me,
and holy is his name.
50 His mercy is for those who fear him
from generation to generation.
51 He has shown strength with his arm;
he has scattered the proud in the thoughts of their hearts.
52 He has brought down the powerful from their thrones,
and lifted up the lowly;
53 he has filled the hungry with good things,
and sent the rich away empty.
54 He has helped his servant Israel,
in remembrance of his mercy,
55 according to the promise he made to our ancestors,
to Abraham and to his descendants for ever.’
56 And Mary remained with her for about three months and then returned to her home.
The Visitation of the Virgin Mary to Saint Elizabeth … a panel from the triptych in the Lady Chapel in Lichfield Cathedral (Photograph: Patrick Comerford)
Liturgical Resources:
Liturgical Colour: White
Penitential Kyries:
Lord God, mighty God,
you are the creator of the world.
Lord, have mercy.
Lord, have mercy.
Lord Jesus, Son of God and Son of Mary,
you are the Prince of Peace.
Christ, have mercy.
Christ, have mercy.
Holy Spirit, by your power the Word was made flesh
and came to dwell among us.
Lord, have mercy.
Lord, have mercy.
The Collect:
Mighty God,
by whose grace Elizabeth rejoiced with Mary
and greeted her as the mother of the Lord:
Look with favour on your lowly servants
that, with Mary, we may magnify your holy name
and rejoice to acclaim her Son our Saviour,
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
Introduction to the Peace:
Unto us a child is born, unto us a son is given:
and his name is called the Prince of Peace (Isaiah 9: 7).
Preface:
You chose the Blessed Virgin Mary
to be the mother of your Son
and so exalted th humble and meek;
your angel hailed her as most highly favoured,
and with all generations we call her blessed:
Post-Communion Prayer:
Gracious God,
who gave joy to Elizabeth and Mary
as they recognised the signs of redemption at work within them:
Help us, who have shared the joy of this eucharist,
to know the Lord deep within us
and his live shining out in our lives,
that the world may rejoice in your salvation;
through Jesus Christ our Lord.
Blessing:
Christ the Son of God, born of Mary,
fill you with his grace
to trust his promises and obey his will:
The prayer for Monday 31 May 2021 in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), prays:
O Lord, let us remember that through you anything is possible. Bless our sisters and brothers in their Kingdom work.
The Visitation by James B Janknegt
Suggested Hymns:
Zephaniah 3: 14-18:
86, Christ is the King! O friends rejoice
646, Glorious things of thee are spoken
125, Hail to the Lord's anointed
281, Rejoice, the Lord is King!
Psalm 113:
501, Christ is the world's true Light
360, Let all the world in every corner sing
718, O praise the Lord, ye servants of the Lord
719, Praise the Lord, all you servants of the Lord
712, Tell out, my soul, the greatness of the Lord
73, The day thou gavest, Lord, is ended
Romans 12: 9-16:
515, A new commandment I give unto you
516, Belovèd, let us love: love is of God
517, Brother, sister, let me serve you
219, From heav’n you came, helpless babe
523, Help us to help each other, Lord
525, Let there be love shared among us
503, Make me a channel of your peace
Luke 1: 39-49 (50-56):
470, Let God’s people join in worship
704, Mary sang a song, a song of love
472, Sing we of the blessèd Mother
712, Tell out, my soul, the greatness of the Lord
373, To God be the glory!
476, Ye watchers and ye holy ones
‘He has brought down the powerful from their thrones, and lifted up the lowly’ (Luke 1: 52) … symbols of the Virgin Mary in a stained-glass window in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
The hymns suggestions are provided in Sing to the Word (2000), edited by Bishop Edward Darling. The hymn numbers refer to the Church of Ireland’s Church Hymnal (5th edition, Oxford: OUP, 2000)
Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.
The Visitation depicted in a stained-glass window in the Church of Saint Mary the Virgin, Saffron Walden … the largest parish church in Essex (Photograph: Patrick Comerford)
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